15 октября, 12:00-19:00
Галерея "Navicula Artis"
Francisco Lopez (Netherlands)
Многоканальная саунд-инсталляция “Hyper-Rainforest”
12:00-16:00 - прослушивание инсталляции;
16:00-17:30 - дискуссия о звуке и тексте (on/off line)
В рамках конференции "Полевые записи звука: музыка, речь, ладшафт"
Over the last twenty years Francisco López has been developing a powerful and consistent world of minimal electroacoustic soundscapes, 'trying to reach an ideal of absolute concrète music'. To date, his catalog comprises more than 140 sound works, which have been released by one hundred record labels from Spain, France, Italy, Germany, The Netherlands, Switzerland, Poland, Austria, UK, Norway, Greece, Russia, Canada, USA, Mexico, Puerto Rico, Argentina, Japan, China, Australia. He has toured extensively throughout Western and Eastern Europe, North, Central and South America, Japan and Australia doing acousmatic performances, and he has received commissions from a number of reknown institutions and organizations, such as the Dutch and Spanish National Radios, the Goethe Institut, V2 Organization (Rotterdam), Yale University Theater (New Haven), the Ralph Lemon Company (New York), the Zeitkratzer Ensemble (Berlin), Creative Time (New York), Quartier Ephemere (Montreal) and Sound Traffic Control (San Francisco).
Rainforests are natural acousmatic environments: whereas they typically manifest an astonishing sonic variety and complexity, the sources of all those sounds are overwhelmingly invisible.
‘Hyper-Rainforest’ is an immersive sound work, presented in an installation form, that has been created from original environmental recordings carried out by the artist, along with an extensive and intensive experience of profound field listening, during a twenty-year period in rainforests all over the world.
None of the sounds that can be heard in this work –even the most surprising and outlandish– have been processed or transformed. In stark contrast with the most traditional approaches of so-called field recordings, however, this work does not aim at reproducing or simulating any natural “reality” of those original locations. Instead, with a forceful compositional character, this work develops an elaborated and subtle form of hyperreality that strives to generate a self-sufficient sonic virtual world, solely created from those original recordings, with no transformation and with no added sounds, instrumental or otherwise.
‘Hyper-Rainforest’ constitutes a perceptual and existential rabbit hole that operates not through the recordings themselves in the usual representational sense but rather through the phenomenological characteristics of this sonic substance as sound-in-itself -with the same ontological status that any sound sources- as well as on its spatial-temporal organization and the multiple forms of its incarnation. With all its natural pre-composition features in multi-layered timbral complexity, spectral content, virtual inner space, and temporal evolution of environmental transitions.
This work is thus presented as a non-representational immersive experience where the traditional tools of illusion (microphones, speakers), typically used for mimesis or simulation, turn instead into ontological probes that generate hyperreality.
ДИСКУССИЯ О ЗВУКЕ И ТЕКСТЕ
Модераторы дискуссии: Юлия Глухова, Лилия Ткачук, Василиса Филатова
Всем участникам и слушателям конференции мы предлагаем прочитать эссе Франциско Лопеса «Звуковые существа» (Sonic Creatures), затем послушать его же инсталляцию «Гипер-джунгли» (Hyper-Rainforest) и затем поговорить об отношениях между звуком и текстом, опираясь как на эти примеры, так и на то, что происходило раньше в течение конференции.